Middle photo courtesy of Chris Bennion © 1987


The Dismaying 2019 Oscar Nominations—and Who Should Have Made the List
The New Yorker, January 2019

The Best Movies of 2018 
The New Yorker, December 2018

Passion and Presence: Maria Irene Fornes 1930-2018
Public Books, November 2018

In a Dark Time the Eye Begins to See: Michelle Memran Interviewed by Alix Lambert
BOMB Magazine, November 2018

And What of the Night? Helen Shaw on Maria Irene Fornes 
Artforum, September 2018

An Avant-Garde Theater Artist Gets Her Due
The New York Times, August 2018

An Extraordinary Documentary Portrait of a Playwright Facing Alzheimer’s Disease
The New Yorker, August 2018

Review: In ‘The Rest I Make Up,’ a Playwright’s Life as Memories Ebb
The New York Times, August 2018

Meet the best playwright you’ve never heard of
New York Post, August 2018

“The Camera is My Beloved”: Michelle Memran Creates Documentary Art with María Irene Fornés
HowlRound, June 2018

Miami Film Festival opens Friday with ‘Tully’ starring Charlize Theron Miami Herald
Miami Herald, March 2018

Film Follows The Face of the ‘Mother of Avant-Garde Theater’
Artburst Miami, March 2018

One of our best American playwrights, María Irene Fornés is featured in new documentary
NBC News, February 2018

7 Things You Never Knew About America’s ‘Greatest and Least Known Dramatist’
Playbill, February 2018

The Gaze of María Irene Fornés: Michelle Memran on Her Documentary “The Rest I Make Up”
The Interval, February 2018

Candid Camera
Harper’s Magazine, December 2016

The Rest I Make Up: Maria Irene Fornes
The Brooklyn Rail, October 4, 2016

THE REST I MAKE UP: Maria Irene Fornes
We Are Moving Stories, September 28, 2016

Maria Irene Fornes: The Rest I Make Up
Curve Magazine, September 27, 2016

Creativity, Aging, and Alzheimer’s: A Conversation with Michelle Memran
HowlRound, May 2016

Fornés and Her Friends
American Theatre, March 23, 2016

Teaching Fornes: Preserving Fornesian Techniques in Critical Context
Theatre Topics, September 2, 2009

Moment to Moment with Maria Irene Fornes
The Brooklyn Rail, October 1, 2002